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Home » advocacy » White Paper – Music is not Noise
  • White Paper – Music is not Noise

    Published on 1 July 2019

    Any future environmental noise regulation must safeguard the cultural rights to live music and artistic freedom.

    This paper provides guidance for the drafting of a good urban policy in relation to live music.

    The recommendations come from a working group comprising live music experts from across Europe who worked together in Antwerp and Madrid to lay out the statement ‘Music is Not Noise’ and qualify this with facts to illustrate the argument and why it is important.


    [button url=”https://live-dma.eu/wp-content/uploads/2019/07/WHITE-PAPER_MUSIC-IS-NOT-NOISE_20190625.pdf” target=”_blank »]Download the White Paper[/button]

    You can read the reports of the two working group sessions and consult the other outputs (sound regulations overview in Europe, recommendations for local authorities, recommendations for live music venues & clubs) here.

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    On 8 April 2020, the EU cultural ministers discussed the effects of COVID-19 on the cultural and creative sector in an online meeting initiated by the Croatian Presidency of the Council. In the press conference following the meeting, Commissioner Mariya Gabriel gave an overview of measures initiated at EU level that are relevant for the…

  • Live DMA launches START mentorship programme and calls for mentees

    We are thrilled to launch START, a new mentorship programme aimed at supporting the emergence of live music associations in Europe! This initiative, set to empower new associations, is part of Live DMA’s effort to foster a stronger live music ecosystem in Europe through cooperation and capacity-building. The call for mentees is now open until…

  • Green Mobility: initiatives from the live music sector

    In order to better understand a live music event’s carbon emission, and to take action upon it, many organisations have started to measure their carbon footprint. These researches led to interesting results, notably that the most carbon-emitting poles of organising an event are the travels, first of audiences as well as those of artists, especially…

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