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Home » The Survey » Court-Circuit – Overview of figures & facts
  • Court-Circuit – Overview of figures & facts

    Court-Circuit represents 36 music venues in the French speaking part of Belgium, Wallonia and Brussels. The venues have a median of 400 audience capacity. Together the venues present almost 7,000 artist performances per year, which attract over 550.000 visits. Also 89% of the music venues organise festivals.


    The Court-Circuit venues do much more than live music alone, and are also involved in educational, social, artistic, culinary, and multi-disciplinary activities, such as:

    Court-Circuit – Diversity of Functions – The Survey Publication 2020

    Court-Circuit – Legal Status – The Survey Publication 2020

    Court-Circuit music venues are for 100% private non-profit venues, They generate a total income of 13.5 million euro. The income is a mix of subsidy (32%) and audience spendings (58%) on tickets, food and beverages. Support from the government and the high amount of volunteers work make housing and workers costs lower, so more money is spent on direct programme costs than is generated by ticket sales, and more can be in vested in presenting local and emerging talents.

    Court-Circuit – Income – The Survey Publication 2020
    Court-Circuit – Expenditure – The Survey Publication 2020

    In Belgium volunteers are very important for the daily practices in the venue, especially for smaller venues. Of the 1,200 total workers in Court-Circuit venues, almost 800 are volunteers, responsible for 39% of all working hours. In total 21% of the workers are female.

    Court-Circuit – Share of Paid and Volunteer Work(ers) – The Survey Publication 2020

    Contact

    To learn more about these venues visit https://www.court-circuit.be/ and/or contact Court-Circuit Survey coordinator David Dehard david[@]courtcircuit.be

    Download the Overview

    [button url=”https://live-dma.eu/wp-content/uploads/2020/02/ATTACHMENT-4G.pdf” target=”_blank »]Overview Court-Circuit venues[/button]

    Based on the data (year 2017) of 9 Court-Circuit music venues, collected during 2018, and extrapolated to data of 36 music venues part of Court-Circuit and Live DMA in 2017.

  • Live DMA COVID-19 Map for the Live music sector

    Voir en plein écran Based on the information provided by Live DMA members, this map contains the basic material needed to have an overview of the current state of the live music sector in 16 European countries. You can find in this map information from the date of restrictions on public gatherings to the current…

  • 6 questions to Elda Gómez (ACCES – ES)

    1) Can you please introduce yourself? “My name is Elda Gómez, cultural manager who works for ACCES, the Spanish association of private concert venues. I have also been the ACCES survey coordinator since we started this project with Live DMA seven years ago.” 2) Who are the members of your network? “The members of my…

  • LSE Podcast #11 – January 2020

    The first Live Style Europe radioshow of 2020 focuses on advocacy within the European live music sector. Advocacy means “public support for an idea, plan, or way of doing something”. Learn more about how Live DMA advocates for better conditions for the live music sector and the several campaigns we took part in the last…

European network for live music venues,
clubs & festivals

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    • Contact
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  • Our Projects
    • Network project Live Style Europe III
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    • OBSERVATION & RESEARCH
    • Digital Safaris on Sustainability
    • Watchtower: Music Is Not Noise
    • Audience Development: The Try-Angle
    • Podcasts: Behind Live Music
  • Resource Platform
  • Advocacy
  • Events
    • Upcoming Events
    • Past Live DMA Panels & Conferences
  • EU FUNDING PROGRAMMES
    • Overview of EU programmes
    • LIVEMX

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