“It’s really important for us to be at the forefront on the sustainability and inclusion questions, to inspire others and help with all these things. If we don’t have a sustainable future, we may not have a future at all.”
Live Style Europe Podcasts
Live Style Europe is the name of our monthly radio show produced on Euradio in Nantes, France.
Each month, we invite a live music expert from our network to discuss topics that caught the attention of the European music industry: from policies and regulations, over European cooperation projects up to initiatives that shake up the music sector in Europe!
You can also expect news on topics and challenges that our members are dealing with on a national level.
Your can listen and download to the podcasts of our Live Style Europe radio show here:
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For the last Live Style Europe radio show of the season, we would like to look back on the second year of the Live Style Europe project and project ourselves in the future by presenting our upcoming activities. In 2017, the European Commission granted Live DMA with the European network funding via the Creative Europe…
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In this 6th Live Style Europe radio show: April’s LSE podcast focused on two campaigns run by Live DMA: The 2019 European Parliamentary elections’ campaign, for which Live DMA has prepared an advocacy plan to raise awareness among European officials on the particularities of the sector, based on the principles defined in the 2005 UNESCO…
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In this 5th Live Style Europe radio show: – Interview with Marc Steens from Clubcircuit, one of our two members in Belgium – Feedback on the first session of our Live Style Europe working group “Music is not noise” Information mentioned: World Health Organisation noise guidelines for the European region Live DMA Resource Platform: –…
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In this forth episode of the Live Style Europe radio show: Release of the Live DMA Online Resource Platform in December 2018. Short feedback on Live DMA’s activities at Eurosonic in January 2019. Interview with Arne Dee from VNPF, Live DMA’s member in the Netherlands Interview with Susann Hollmann, Deputy Head of the Cultural Policy…
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In this third episode of the Live Style Europe radio show: Feedback on Audrey’s participation at a panel on the latest evolutions of the Creative Europe programme at the Transmusicales Festival in Rennes Interview with Benjamin Freaigneau, in charge of communication & of circulation of information at Fedelima – Live DMA member in France. Fedelima’s…
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In this second episode of the Live Style Europe radio show: Interview with Victor and Zivile Diawara, the two founders and directors of LOFTAS, music venue and cultural fabric in Vilnius, Lithuania Interview with Marc Wohlrabe, co-founder of the Berlin clubnetwork Clubcommission, board member of the German live music network LiveKomm, curator and co-founder of…
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In this first episode of the Live Style Europe radio show: Focus on Live DMA’s activities at Reeperbahn festival in Hamburg, Germany (19. – 22.10.2018) Presentation of the study conducted by EventKultur Rhein-Neckar, local live music network in Germany, Pop-Akademie Baden-Wûrtemberg, and Digitale Hochschule Baden-Würtenberg Link to the study „Veranstaltungswirtschaft in der Metropolregion RheinNeckar“ (German) …
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“It’s all about sharing and cooperation!”
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“We need organisations like Live DMA to support our activities. During COVID, it was important to have Live DMA meetings so that we could learn what was going on in the other countries, and that was very helpful when it came to the lobby work on the local level”
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“We have been celebrating the 10th anniversary of Live DMA, a network which was created in 2012 by venue networks from all over Europe. The purpose was to share knowledge and skills with each other, and to set up common projects, and I think we’ve succeeded in doing that!”
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“I learned to collect and process data with good quality, and also I learned the importance of data to start a dialogue with institutions. Good data gave ACCES a lot of recognition”
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ʻʼThanks to Live DMAʼs Survey, we showed our government that the more a venue is subsidized, the more money they generate. The Ministry of Culture had little knowledge of our sector. So to present these figures from different European countries was crucial in re-valorising our subsidies.”