“It’s really important for us to be at the forefront on the sustainability and inclusion questions, to inspire others and help with all these things. If we don’t have a sustainable future, we may not have a future at all.”
news
On this page, you can find the latest news from the Live DMA network and updates on our current projects and activities.
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THE LINK BETWEEN ARTISTS AND VENUES Authors Rights Societies or Copyrights Societies, are the link between creators (e.g. artists) and the services and platforms (e.g. venues, clubs and festivals) who spread their work. Creators and other rightsholders of artistic works entrust Author Rights Societies to grant licences on their behalf. As such, Author Rights Societies…
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Setting-up a concert means, first of all, welcoming artists. When it comes to sustainability, live music venues can implement many things to welcome artists and their staff in a way that is comfortable for them AND respectful of the planet. This can be done in-house by the venue, as shown by the venues who took…
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For 10 years now, Live DMA has been working actively to help its members in making live music scenes better everyday. The creation of the network marks the beginning of a long-time cooperation story: 10 years ago, national live music associations in France ans Spain which were already defending live music scenes in their own…
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Back in 2019, the European Commission launched the Pilot Call “Cooperation of Small Music Venues“, as part of the Music Moves Europe programme. In this framework, 12 consortium of music venues under 400 capacity were selected to run a 12 months cooperation project. This article intends to give a thorough overlook at the project selected…
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This publication was developed by Culture Action Europe. It offers an overview of the place of culture in the National Recovery and Resilience Plans (NRRPs) of the Member States of the European Union. In 2020, as an immediate response to the pandemic crisis the EU institutions adopted an one-of-a-kind stimulus package, called Next Generation EU (NGEU). It…
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Report by Ken Veerman Upstairs in the impressive hall of the Kultuurikatel a mixed crowd of Estonian dignitaries and European music professionals had gathered. Kersti Kaljulaid, Estonia’s youngest and first female president, opened Tallinn Music Week. Creativity, she said, is a sign of bravery. And bravery a sign of a free society. Human creativity and…
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All around Europe, live music venues are doing a wonderful job in finding ways of building new audiences to make live music accessible to as many people as possible. Diversity is a value dear to many live music professionals’ hearts. WHAT IS THE TRY-ANGLE? Inspired by the expertise of these live music actors (see reports…
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Live DMA, as part of its Live Style Europe project going from 2017 to 2021, organizes each year a Working Group on a theme chosen by its members, national or regional live music networks. These Working Groups intend to gather live music professionals to share their expertise and experience on a certain topic. The information…
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This article provides methodology tips to assist live music venues, clubs or festivals’ workers who wish to start the process of doing audience research, such as surveying their audience and/or potential audience. It does not mean to turn you into a professional surveyer or statistician but rather condense in one place all the advice we…
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“It’s all about sharing and cooperation!”
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“We need organisations like Live DMA to support our activities. During COVID, it was important to have Live DMA meetings so that we could learn what was going on in the other countries, and that was very helpful when it came to the lobby work on the local level”
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“We have been celebrating the 10th anniversary of Live DMA, a network which was created in 2012 by venue networks from all over Europe. The purpose was to share knowledge and skills with each other, and to set up common projects, and I think we’ve succeeded in doing that!”
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“I learned to collect and process data with good quality, and also I learned the importance of data to start a dialogue with institutions. Good data gave ACCES a lot of recognition”
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ʻʼThanks to Live DMAʼs Survey, we showed our government that the more a venue is subsidized, the more money they generate. The Ministry of Culture had little knowledge of our sector. So to present these figures from different European countries was crucial in re-valorising our subsidies.”