“It’s really important for us to be at the forefront on the sustainability and inclusion questions, to inspire others and help with all these things. If we don’t have a sustainable future, we may not have a future at all.”
All around Europe, live music venues are doing a wonderful job in finding ways of building new audiences to make live music accessible to as many people as possible. Diversity is a value dear to many live music professionals’ hearts. WHAT IS THE TRY-ANGLE? Inspired by the expertise of these live music actors (see reports…
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[last update: 12 July 2021] Since the beginning of the COVID-19 crisis in March 2020, live music events all around Europe have been put at a stop or with logistical and sanitary conditions never seen before. In order to investigate how to manage live music events of all formats and settings in a pandemic context,…
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The dialogue between the European Commission and music stakeholders which served as base for the Music Moves Europe programme has identified several challenges and opportunities for the European sector. In addition to a study on the Feasibility of a European Music Observatory, the European Commission asked for an analysis of market trends and gaps in…
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Together with 11 other European music organisations, Live DMA is part of the advisory board of the feasibility study investigating a possible future full-scale establishment of a data collection organisation called The Observatory as a core strategic resource to drive relevance and value for future policy actions in the music portfolio and across the sector. This feasibility study in conducted by KEA and Panteia.…
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Voir en plein Ă©cran Based on the information provided by Live DMA members, this map contains the basic material needed to have an overview of the current state of the live music sector in 16 European countries. You can find in this map information from the date of restrictions on public gatherings to the current…
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Since March 2020, most of the 2,600 live music venues and clubs represented by Live DMA and its members in 16 European countries are in survival mode. Due to government regulations, music venues and clubs had to cancel or reschedule all their events. Due to the current restrictions, apart from small concerts and non-musical events,…
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In response to the severe and increasing vulnerability of global nighttime economies and cultures caused by COVID-19, the nightlife advocacy agency VibeLab reunited a set of experts on nighlife governance and urban planning from around the globe to work together on the Global Nighttime Recovery Plan (GNRP). The Global Nighttime Recovery Plan is a collaborative, practical guide for cities. It…
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Next Generation EU & long-term EU budget On the 27th of May, the European Commission put forward its proposal to create a new recovery instrument, “Next Generation EU”. The Commission also presented a new proposal of the long-term EU budget for the next Multinannual Financial Framework 2021 – 2027 in response to the new context:…
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Investing in our culture is investing in our future. Now is the time to turn words into concrete measures.
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“It’s really important for us to be at the forefront on the sustainability and inclusion questions, to inspire others and help with all these things. If we don’t have a sustainable future, we may not have a future at all.”
“It’s all about sharing and cooperation!”
“We need organisations like Live DMA to support our activities. During COVID, it was important to have Live DMA meetings so that we could learn what was going on in the other countries, and that was very helpful when it came to the lobby work on the local level”
“We have been celebrating the 10th anniversary of Live DMA, a network which was created in 2012 by venue networks from all over Europe. The purpose was to share knowledge and skills with each other, and to set up common projects, and I think we’ve succeeded in doing that!”
“I learned to collect and process data with good quality, and also I learned the importance of data to start a dialogue with institutions. Good data gave ACCES a lot of recognition”
ʻʼThanks to Live DMAĘĽs Survey, we showed our government that the more a venue is subsidized, the more money they generate. The Ministry of Culture had little knowledge of our sector. So to present these figures from different European countries was crucial in re-valorising our subsidies.”