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Communication Officer

Music Policy Forum: Music Cities Together Live Conference

Apr10

On the 3rd of April 2020, Music Policy Forum organised an online free Music Cities Together conference, with Mark Davyd from Music Venue Trust (UK), Kwende Kefentse researcher on “music ecosystems” from the City of Ottawa (CA), Don Pitts and Michael Bracy from the Music Policy Forum (US). The...

Music sector joins together to call for EU and national investment to address current crisis and promote diversity

Apr2

Over 40 music organisations join forces to call for EU and national investment to address the current Covid-19 Crisis and promote diversity.

Joint letter – Effect of COVID-19 on Creative Europe and the European CCS

Mar26

Live DMA supports Culture Action Europe's letter pointing out the effects of the Covid-19 Sanitary crisis on networks & cooperation projects supported by the Creative Europe programme and on the European Culture & Creative Sectors.

COVID-19 – STATEMENT – SPECIAL SUPPORT FOR SMALL LIVE MUSIC ORGANISATIONS

Mar13

The global outbreak of COVID-19 required governments in Europe to react fast and order precautions to avoid the spreading of the virus. The measures taken restricting social gatherings in particular, creates a high degree of uncertainty among the actors of the live music sector. The shut-down or reduction in...

COVID-19 Live Music Sector – Reactions, Impact & Support

Mar12

Last update: 27/05/2020 – 16:00 The shut-down or reduction in activities in order to meet the requirements to prevent the virus from spreading has a dramatic effect on the cultural sector, and the small live music organisers in particular. The economic situation of live music venues, clubs, and festivals is already...

“It’s really important for us to be at the forefront on the sustainability and inclusion questions, to inspire others and help with all these things. If we don’t have a sustainable future, we may not have a future at all.”

Hilma Kekkonen, Svensk Live - (Sweden )

“It’s all about sharing and cooperation!”

Boris Colin, FEDELIMA - (France )

“We need organisations like Live DMA to support our activities. During COVID, it was important to have Live DMA meetings so that we could learn what was going on in the other countries, and that was very helpful when it came to the lobby work on the local level”

Ingrid Stroom, Live Music Estonia - (Estonia )

“We have been celebrating the 10th anniversary of Live DMA, a network which was created in 2012 by venue networks from all over Europe. The purpose was to share knowledge and skills with each other, and to set up common projects, and I think we’ve succeeded in doing that!”

Marc Steens, Clubcircuit - (Belgium: Flanders )

“I learned to collect and process data with good quality, and also I learned the importance of data to start a dialogue with institutions. Good data gave ACCES a lot of recognition”

Elda Gomez, ACCES - (Spain )

ʻʼThanks to Live DMAʼs Survey, we showed our government that the more a venue is subsidized, the more money they generate. The Ministry of Culture had little knowledge of our sector. So to present these figures from different European countries was crucial in re-valorising our subsidies.”

David Dehard, Court-Circuit - (Belgium: Wallonia & Brussels )

ʻʼAs a venue, we believe that the live music sector is insufficiently recognised as part of culture. Networks like Live DMA can amplify local voices. Being part of Live DMA help us gain knowledge from across Europe and find partners with similar challenges.ʼʼ

Ieva Irbina, LPNVA - (Latvia )

ʻʼ[European Cooperation] gives indeed vision: weʼre every day provided with mental-openness and support. It might seem imperceptible but itʼs fundamental to feel part of a wider ecosystem. It boosts our awareness as representative of a whole sector and this bring direct advantages to our members.ʼʼ

Federico Rasetti, KeepOn Live - (Italy )