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Home » Live Style Europe Podcasts » LSE Podcast #13 – March 2020
  • LSE Podcast #13 – March 2020

    Published on 30 June 2020

    This radioshow was recorded before the COVID-19 outbreak. The festivals mentionned in this podcast are unfortunately cancelled.

    After a focus on horizontal governance by Isabelle Von Walterskirchen, we will dive further into the discussion that took place at the World Health Organisation on “Make listening safe”. Our members, PETZI and LiveKomm were there to represent live music venues, clubs and festivals.
    This podcast also presents a follow-up of the Multiannual Financial Framework negociations, the EU budget for 2021-2027.

    Tracklist:

    • Johan Papaconstantino – Les mots bleus (FR)
    • No Me Coman – Pudriendose Por Dentro (CH)
    • Some Ember – Towed (DE)
  • Music Moves Europe Talent Awards

    The Music Moves Europe Talent Awards are the new European Union prize for popular and contemporary music implemented by ESNS (Eurosonic Noorderslag) and presented together with Reeperbahn Festival. The prize is to be awarded annually to those artists who represent the European sound of today and tomorrow. Live DMA is happy to announce to be part of…

  • INVESTEU – ENSURING SUPPORT FOR CULTURAL AND CREATIVE BUSINESSES

    Today, 26 organisations from across Europe’s cultural and creative sectors wrote to European Commissioners Thierry Breton (Internal Market) and Paolo Gentiloni (Economy) regarding the EU’s flagship investment programme InvestEU. The programme is facing severe cuts which could have a dramatic impact on the ability of cultural and creative businesses to access much needed affordable debt and equity financing.  With…

  • Ecological Sustainability: the European Music Sector takes action!

    The global climate crisis has led many organisations from the music sector to act towards a more eco-conscious future. Culture can be a strong driver for positive changes in society. In this article, we highlight ecological initiatives and concrete tools from the live music sector, both at national and European levels. Why We Need to…

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