âIt’s really important for us to be at the forefront on the sustainability and inclusion questions, to inspire others and help with all these things. If we donât have a sustainable future, we may not have a future at all.â
Communication Officer
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Every month, the Live Style Europe radio show brings you to the backstage of the live music sector to better understand how it works, listen to the ones who work and fight for great music, and discuss the main challenges they may face. In this episode you will learn more about Live DMAâs activities: our advocacy work, our capacity-building workshops,…
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Today, 26 organisations from across Europe’s cultural and creative sectors wrote to European Commissioners Thierry Breton (Internal Market) and Paolo Gentiloni (Economy) regarding the EUâs flagship investment programme InvestEU. The programme is facing severe cuts which could have a dramatic impact on the ability of cultural and creative businesses to access much needed affordable debt and equity financing. With…
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Voir en plein Ă©cran Based on the information provided by Live DMA members, this map contains the basic material needed to have an overview of the current state of the live music sector in 16 European countries. You can find in this map information from the date of restrictions on public gatherings to the current…
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Since March 2020, most of the 2,600 live music venues and clubs represented by Live DMA and its members in 16 European countries are in survival mode. Due to government regulations, music venues and clubs had to cancel or reschedule all their events. Due to the current restrictions, apart from small concerts and non-musical events,…
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In response to the severe and increasing vulnerability of global nighttime economies and cultures caused by COVID-19, the nightlife advocacy agency VibeLab reunited a set of experts on nighlife governance and urban planning from around the globe to work together on the Global Nighttime Recovery Plan (GNRP). The Global Nighttime Recovery Plan is a collaborative, practical guide for cities. It…
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AN OPEN LETTER TO THE UK GOVERNMENT TO KEEP THE UK IN THE CREATIVE EUROPE PROGRAMME Over 250 European cultural leaders and arts organisations have signed the letter below urging the UKâs Secretary of State, Rt Hon Oliver Dowden to reverse the decision to take the UK out of Creative Europe, the EUâs funding programme…
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The Multiannual Financial Framework (MFF) is the EU long-term budget. The next MFF will cover the years 2021-2027. The budget for EU programmes such as Creative Europe is part of the MFF. Find out in this article how the MFF was negociated and the reactions of European cultural organisations to it.
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Ahead of the next European Council meeting (17-18 July), 45 leading European cultural figures issued a call for the EU to âbe bold and to invest in culture and the arts, to invest in all our creative futures.â This is a direct response to the European Commissionâs latest proposal to reduce the Creative Europe programmeâs budget…
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This radioshow was recorded before the COVID-19 outbreak. The festivals mentionned in this podcast are unfortunately cancelled. After a focus on horizontal governance by Isabelle Von Walterskirchen, we will dive further into the discussion that took place at the World Health Organisation on “Make listening safe”. Our members, PETZI and LiveKomm were there to represent…
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âItâs all about sharing and cooperation!â
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âWe need organisations like Live DMA to support our activities. During COVID, it was important to have Live DMA meetings so that we could learn what was going on in the other countries, and that was very helpful when it came to the lobby work on the local levelâ
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“We have been celebrating the 10th anniversary of Live DMA, a network which was created in 2012 by venue networks from all over Europe. The purpose was to share knowledge and skills with each other, and to set up common projects, and I think weâve succeeded in doing that!â
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“I learned to collect and process data with good quality, and also I learned the importance of data to start a dialogue with institutions. Good data gave ACCES a lot of recognitionâ
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ʻʌThanks to Live DMAÊŒs Survey, we showed our government that the more a venue is subsidized, the more money they generate. The Ministry of Culture had little knowledge of our sector. So to present these figures from different European countries was crucial in re-valorising our subsidies.”