“It’s really important for us to be at the forefront on the sustainability and inclusion questions, to inspire others and help with all these things. If we don’t have a sustainable future, we may not have a future at all.”
On 8 April 2020, the EU cultural ministers discussed the effects of COVID-19 on the cultural and creative sector in an online meeting initiated by the Croatian Presidency of the Council. In the press conference following the meeting, Commissioner Mariya Gabriel gave an overview of measures initiated at EU level that are relevant for the…
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According to a governmental study on the cultural practices of the French population, music is the first art practiced by French people. The practice of music is a cultural expression that enables people to become cultural actors and not only consumers. In that sense, the practice of music is rooted in the cultural rights of…
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Last update: 03/06/2020 – 16:45 With the restriction of social gatherings and closing down of venues and clubs all over Europe, the COVID-19 crisis has brought up many issues related to event management and cancellation. While many live music scenes struggle to maintain their cash-flow in the green, they are often entitle to reimburse the…
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A selection of articles on Corona & the live music sector: Indie venues fight back against coronavirus, IQ Magazine– 19/03/2020 The Value Of Music In Our New Age Of Coronavirus, Shain Shapiro (Sound Diplomacy)– 17/03/2020 Here’s A Music & Cultural Cities Framework We Can All Adopt,Shain Shapiro (Sound Diplomacy) – 25/03/2020 Supporting local venues: ‘The rooms might…
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On the 3rd of April 2020, Music Policy Forum organised an online free Music Cities Together conference, with Mark Davyd from Music Venue Trust (UK), Kwende Kefentse researcher on “music ecosystems” from the City of Ottawa (CA), Don Pitts and Michael Bracy from the Music Policy Forum (US). The conversation evolved around music policies in…
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Over 40 music organisations join forces to call for EU and national investment to address the current Covid-19 Crisis and promote diversity.
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Live DMA supports Culture Action Europe’s letter pointing out the effects of the Covid-19 Sanitary crisis on networks & cooperation projects supported by the Creative Europe programme and on the European Culture & Creative Sectors.
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The global outbreak of COVID-19 required governments in Europe to react fast and order precautions to avoid the spreading of the virus. The measures taken restricting social gatherings in particular, creates a high degree of uncertainty among the actors of the live music sector. The shut-down or reduction in activities in order to meet the…
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Last update: 27/05/2020 – 16:00 The shut-down or reduction in activities in order to meet the requirements to prevent the virus from spreading has a dramatic effect on the cultural sector, and the small live music organisers in particular. The economic situation of live music venues, clubs, and festivals is already very fragile as they are very dependent…
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“It’s really important for us to be at the forefront on the sustainability and inclusion questions, to inspire others and help with all these things. If we don’t have a sustainable future, we may not have a future at all.”
“It’s all about sharing and cooperation!”
“We need organisations like Live DMA to support our activities. During COVID, it was important to have Live DMA meetings so that we could learn what was going on in the other countries, and that was very helpful when it came to the lobby work on the local level”
“We have been celebrating the 10th anniversary of Live DMA, a network which was created in 2012 by venue networks from all over Europe. The purpose was to share knowledge and skills with each other, and to set up common projects, and I think we’ve succeeded in doing that!”
“I learned to collect and process data with good quality, and also I learned the importance of data to start a dialogue with institutions. Good data gave ACCES a lot of recognition”
ʻʼThanks to Live DMAʼs Survey, we showed our government that the more a venue is subsidized, the more money they generate. The Ministry of Culture had little knowledge of our sector. So to present these figures from different European countries was crucial in re-valorising our subsidies.”